Making Mistakes – The Path To Success

Making Mistakes – The Path To Success

Making Mistakes – The Path To Success

It happens to all of us at some point:

Getting too wrapped up with not sounding that great sometimes when we practice.

The reason:

It’s the curse of…

Being an adult.

The Curse of Being An Adult

Compare this to the following:

Notice what a child does when they first learn to do things.

Kids make so many mistakes. When speaking, at first they can barely put a word together.

And even after they can eventually say a few basic words, they often make mistakes on the order of the words.

But here’s the reason they improve so quickly:

They don’t care.

Mistakes are an excellent learning opportunity. Don’t be afraid of them as they are a great opportunity for growth.

 

Kids just keep experimenting, making mistakes, falling over, and trying again.

Ironically though, this is the reason kids learn so fast.

The faster you make many mistakes, the more quickly you can learn from them.

Here’s the thing:

Adults are too often afraid of making mistakes when it comes to playing music.

Why is that?

The reason:

Adults are painfully aware of what good music sounds like, having listened to perfectly produced recordings their whole life (with all the mistakes conveniently edited out!)

But:

Young kids don’t have a high awareness of what ‘correct’ sounds like.

This allows children the freedom and lack of inhibition to make a lot of mistakes, to be corrected by their parents and teachers, and thus learn at a rapid pace.

So:

Adopt the child’s mindset in your guitar practice.

 

The Child’s Mindset

Don’t worry too much if something isn’t sounding good (yet). Often daily practice will iron things out if you don’t tie yourself up in knots about it.

If you work on something over the course of a week or two and despite daily practice you’re seeing no improvement, adopt a curious mind – and treat it as
‘a puzzle to be solved’.

When you notice something isn’t improving, make a hypothesis as to what could be the causing the problem.

Then:

Devise an experiment, consisting of exercises or practice approaches that you think could solve the issue. Run the experiment for a couple of weeks and record your observations.

Remember:

Mistakes are an excellent learning opportunity. Don’t be afraid of them as they are a great opportunity for growth.

In fact:

Learning from your mistakes is the key to success on the guitar – or anything else you apply yourself to.

Over to you – What did YOU think of this practice tip? Leave a comment below with your thoughts or tips of your own…

 

Greg O’Rourke

Founder, FretDojo
World Leader in Online Guitar Education

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Holy Whole Tones Batman! Try This Scale on Minor Chords

Holy Whole Tones Batman! Try This Scale on Minor Chords

Holy Whole Tones Batman! Try This Scale on Minor Chords

Don’t have time to read this post now? Get your Handy PDF Download: Click this link to get a print friendly version of all the exercises in this post for your practice.

► Start Your FretDojo Jazz Guitar Academy Membership here: https://www.fretdojo.com/signup-offer  

► Become a FretDojo Patreon here: https: https://www.patreon.com/fretdojo 

In this video I’ll show you how to use the whole tone scale to create some exotic outside effects on minor chords. This is a continuation on a previous lesson video where we applied the whole tone scale to dominant chords. You can find that video here: https://youtu.be/tOKXuN83B0c  

Thanks for watching and let me know what you think of this jazz guitar lesson via leaving a comment below. 

Greg O’Rourke 

Founder, FretDojo
World Leader in Online Guitar Education

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Warm Guitar Tone – A How-To Guide For Jazz Guitar

Warm Guitar Tone – A How-To Guide For Jazz Guitar

Warm Guitar Tone – A How-To Guide For Jazz Guitar

It’s crazy really –

You can have…

  • the best ear in the world
  • the most sophisticated ideas in your solo
  • great rhythm and;
  • have a wonderful expressive phrasing

The list goes on.

But:

If you don’t have a good tone (i.e. the quality of the sound your guitar makes), then none of these elements will truly make an impact.

Here’s the good news though:

It’s not that difficult really to get a good sound on your instrument and create a warm jazz guitar tone. Especially these days with so many good quality instruments and amps.

I should let you know though:

You’ll find a whole spectrum of views on the subject of tone.

Some guitarists are ‘gear extremists’, and will proclaim that the quality of your guitar leads has a serious impact on your sound.

Others (and jazz guitarists especially have often been criticized for this) hardly pay attention to tone at all.

Let’s take the ‘middle way’ though – here’s a few tips from a self-proclaimed guitar gear luddite:

 

Tip #1 – Check with what and how (and where) you are striking the string

I play fingerstyle and use fingernails – so I make sure my nails are polished as smooth as

glass and they have a nice even curve – this has the biggest impact on your sound especially on acoustic instruments. This is one sure way to get a warm jazz guitar tone.

If you are using a plectrum, it should be smooth and of good quality. If your playing sounds too ‘slappy’, try a slightly thicker pick. Resin picks can have a great tone.

Also check where you are plucking the strings – I avoid plucking them too close to the bridge which can sound a bit tinny. Side note: I use 0.12 gauge D’Addario XL Flatwounds for a nice thick sound.

 

Tip #2 – Quality of your guitar

More expensive does not necessarily equal better tone.

Your guitar needs to be decent – however the make and model isn’t as important as you might think.

Make sure the action is set appropriately so the strings don’t buzz on the frets. Also check the strings aren’t old.

(Reason: old strings will sound out of tune as you go up the neck).

Whichever instrument you play, choose a guitar of which you enjoy the sound and feel.

More expensive does not necessarily equal better tone – when I picked up my first archtop I tried every one in the store, and the Ibanez you see me playing on my videos was a MUCH better tone than guitars at four times the price.

 

Tip #3 – Tone Knob (especially for jazz!)

Regardless of instrument, if you are playing jazz and want the typical jazz tone, roll your tone knob down quite a bit (I do this even on my archtop) and as I mentioned before, play more towards the neck pickup rather than the bridge – you’ll get that warm, ‘sweet as chocolate sound’. Ooooh yeah.

 

Tip #4 – Your amp (if using an electric guitar)

Here’s the thing:

A good quality amp is actually more important than the guitar when it comes to tone. For jazz, a valve amp can definitely give a great sound, however these days I’m using a Boss Katana solid state amp and get a fantastic result.


Tip #5 – Experiment!

There is no universal ‘good tone’. Experiment with the above and come up with a sound YOU are happy with.

There is no universal ‘good tone’. Experiment with the above and come up with a sound YOU are happy with.

Tone is a very subjective thing, and there is no one right way.

My approach:

Experiment with all the above factors until you settle on a sound which best serves to deliver your musical message, and go with your gut.

Then, record yourself and listen back and evaluate your tone. Rinse and repeat a few times until you pin down a suitable tone.

Be careful though:

Embarking on a quest for the ‘perfect tone’ can be quite a rabbit hole to go down. Near enough is usually good enough – spend a bit of time finding your sound but then turn your attention to the most important bit – actually playing music!

Over to you – what did YOU think of this article on getting a good jazz guitar tone? Leave a comment below with your thoughts.

 

Greg O’Rourke

Founder, FretDojo
World Leader in Online Guitar Education

jazz guitar instruction
Improvisation With The Whole Tone Scale

Improvisation With The Whole Tone Scale

Improvisation With The Whole Tone Scale

Don’t have time to read this post now? Get your Handy PDF Download: Click this link to get a print friendly version of all the exercises in this post for your practice.

► Start Your FretDojo Jazz Guitar Academy Membership here: https://www.fretdojo.com/signup-offer  

► Become a FretDojo Patreon here: https: https://www.patreon.com/fretdojo 

In this video I’ll show you how to use the whole tone scale to create some quirky and unique effects in your jazz guitar improvisations.

This cool symmetrical scale pattern is easy to learn on the fretboard if you know a few tricks to the pattern.  

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Video Sections:

00:00  Introduction
00:44  Ex.1 – Basic Whole Tone Scale On Single String
02:55  Ex.2 – Playing Pattern Across Strings, Single Position
04:08  Ex.3 – Three Note Per String Pattern
07:58  Ex.4 – Extending The Range Of The Whole Tone Scale
09:58  Improvising With Whole Tone Scale Over D7 Loop
11:46  Song Example: Using Whole Tone Scale Over Take The “A” Train
13:24  Wrap Up and Next Steps 

Thanks for watching and let me know what you think of this jazz guitar lesson via leaving a comment below. 

Greg O’Rourke 

Founder, FretDojo
World Leader in Online Guitar Education

jazz guitar instruction
Guitar Exercises: Unlocking Power Of The Technique Triangle

Guitar Exercises: Unlocking Power Of The Technique Triangle

Guitar Exercises Course Fast Lane Banner

Guitar Exercises Hub on FretDojo:

Trying to find the best guitar exercises to use for a warm-up?

Finding it a struggle to change chords fluently?

Constantly mis-hitting notes when playing scales?

Maybe you want to learn some cool fingerstyle guitar techniques?

If you’re interested in developing any aspect of your guitar technique, I’m glad you’ve found this page.

Here you’ll find a selection of my hottest resources to develop your guitar technique and an overview of what you need to watch out for when working on guitar exercises to get the most benefit and avoid injury.

Let’s get into it!

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Quick Start Guide To Guitar Exercises:

I’ll be honest with you:

For years, I struggled with my guitar technique.

So many of the classic charts and solos are at fast tempos, and my technique was reaching its limit.

And it wasn’t that I was being lazy in the practice room either.

In fact:

I was diligently practicing hours and hours, running through endless technical drills and guitar exercises that my teacher had recommended.

Over and over, my teacher kept telling me: “Sure, progress is slow, but that’s what it’s like for everyone. The only way to get better is to keep doing those hours and hours of practice – in a few years you’ll overcome those roadblocks, trust me”.

So I took his advice and kept lumbering my way through those endless drills. It was painfully boring, and hard on the hands too.

But:

All this work was futile – it did very little to increase my technical ability on the guitar. I was frustrated, and not making fast enough progress.

It was only years later that I realized:

Guitar Technique Question MarkWhat I was doing back then was not the way to get better at technique. It makes hardly a dent, in fact.

Why?

I realized I was spending too much time on similar exercises, rather than focusing on core exercises that are the most essential, and that cut out all the fluff.

That’s not all:

By learning how my mind was naturally wired and the way that the brain refines motor activity most efficiently, through the interplay of conscious and subconscious processes, I worked out how to drastically increase my technique – while, incredibly, halving the time I was spending on guitar exercises.

Once I studied in detail how high achievers in many fields gain success, it became crystal clear to me how I needed to structure my guitar practice, what exercises I needed to focus on, and what I needed to STOP doing in order to progress my guitar technique.

That’s when everything changed.

Once I knew the secrets to leverage the natural inborn abilities of the mind, my technique (and especially my speed on guitar) started improving incredibly quickly.

And it was there that I discovered:

The Technique Triangle.

Secret of Guitar Technique: The Power Of The Technique Triangle

“The Technique Triangle?” I hear you ask. “What’s that?”

Let me explain.

The technique triangle is what underpins my whole approach to improving technique.

It’s a simple 3-point framework you can use when practicing any guitar exercises to get maximum benefit.

I now reveal to you:

The Technique Triangle In All It’s Glory!

The Technique Triangle is what we use at FretDojo to develop any aspect of your guitar technical skills.

Guitar Technique Triangle
Any guitar exercise you work on should ideally work toward the 3 goals or ‘points’ of the triangle. Whether you are working on left hand technique, a spider exercise, or fingerpicking patterns, these 3 points are the crucial elements to keep in mind.

Ok – so let’s investigate how all this works…

 

Guitar Exercise Triangle Tip #1: Coordination

Coordination and accurate guitar finger placement is the bedrock of guitar technique.

If you are constantly missing notes, hitting the wrong string, or messing up the order of picking – you can’t make good music, period.

Anytime you do a guitar exercise, ensure that your coordination is the first thing you pay attention to.

Are you carefully hitting all the notes cleanly and without any miss hits? If not, you should slow down the guitar finger exercises to a comfortable speed until you can play the exercise cleanly and without any mistakes.

This meticulous approach is the hallmark of a great musician – they are not satisfied unless the accuracy is as near to 100% as possible.

Got it? Good.

Let’s look at point #2…

Technique Triangle Tip #2: Effortlessness

Here’s the problem with only looking at coordination as an outcome when playing guitar exercises:

If you don’t pay attention to how your hands are feeling, you could be in trouble.

Look out for tension when you play – it is the enemy of your hands – and the music.

Tension is a problem as it can prevent you from building speed, and will choke your musicality.

Just like if you want to drive full speed down a highway you need no traffic, for the music to flow you need no obstacles of tension getting in your way.

Effortlessness is all about awareness – checking constantly that your hands are feeling good, supple, and relaxed.

The above ‘points’ of the Technique Triangle are the foundation for the final point, which eludes so many guitarists:

 

Technique Triangle Tip #3: Speed

Speed is an important goal for any guitarist.

Who wouldn’t want to play like this?

Even if you aren’t interested in playing like Pat Martino, speed should still be the goal of most exercises you play on guitar.

Why?

The reason:

Speed is largely the outcome of having rock-solid coordination and a high level of effortlessness in your playing, i.e. the ‘triangle’ points #1 and #2 we covered earlier.

Being able to play guitar exercises fast proves to you that you have achieved effortlessness and coordination in your guitar technique.

Conversely:

If you find speed eluding you, it’s more often than not you haven’t spent enough time building the foundations of coordination and effortlessness. There’s a reason why speed is at the top of the Technique Triangle – it needs to be supported by the other two points!

Speed gives you a sort of ‘headroom’ when you play – it makes everything at a more easy-going tempo a piece of cake.

So:

How can you develop your playing in each of these above ‘points’ of the triangle?

Read on for some useful options available at FretDojo…

Online Course: Fast Lane – The Total Technique Roadmap For Guitar:

Fast Lane Guitar Exercises Online Course Logo

Click Here To Find Out More & Book Your Place >>

My comprehensive complete guide to guitar technique, Fast Lane: The Total Technique Roadmap For Guitar, is a world-first online video course dedicated solely to the art of improving your guitar technique.

It’s a comphrehensive compendium of the best guitar exercises to raise your guitar technique to the next level. The course has specific ‘Core’ daily guitar exercises to help train and improve your technique in a smart and efficient way.

A specific focus is on building speed – the final module of the course has some important guitar speed exercises that will unlock your ability to play past guitar solos, and is the ‘missing link’ if you were wondering how to play guitar faster.

With the above Technique Triangle framework underpinning the course, you’ll discover a complete roadmap for supercharging your coordination, developing new levels of effortlessness, and taking your top guitar speed to dizzying heights – with a comphrehensive array of guitar dexterity exercises.

 

I thoroughly enjoyed this course and loved the lessons – each has clear purpose and moves your technique forward. I’m playing faster, but more importantly I’m playing with better articulation, clarity, and coordination.

I wish I’d got this sort of training when I was more of a beginner player!

Mark Bauer, USA

Before doing the course, I was aware that my technique wasn’t good enough – I lacked speed, unable to play higher than 90 BPM, which is not fast enough for jazz.

The Fast Lane course is very comprehensive, systematic, and offers a a lot of opportunities to improve. I really benefited from this course, and I think it is really worth the money I spent.

Thomas Maurer, Switzerland

With students from all around the world taking this program and 40 years combined experience of the instructors, this is the ultimate guide to build your guitar technique that will benefit you – regardless of what guitar style you play.

Click Here To Find out More About The Course and Enroll >>

Bonus Sample Guitar Exercise Posts:

I enjoy posting guitar exercise videos to Youtube and my website. Check out a few helpful exercises here:

 

  • Slaying The Speed Demon: Here’s a cool post I collaborated on with Stuart King who is the co-creator of the Fast Lane course I mentioned above. This is an excellent example of how by changing your mindset with some unorthodox approaches you can dramatically increase your guitar speed with a few simple steps.
  • Jazz Guitar Warmup: Here’s a very cool jazz guitar warmup which I call the ‘Almost Slurred Scale Exercise’ – a multilayered exercise to work out your speed, phrasing, position shifting, slurs and more.
jazz guitar instruction

Any questions about our lessons on guitar technique? Click here to get in touch and we’ll be happy to help you out.

Now over to YOU:

What did you think of this page all about guitar exercises – any comments or questions? Let me know by leaving a comment below…

~ Greg O’Rourke, BMus, Hons (ANU)

Founder, FretDojo

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